I'm a big fan of his more detailed, anxiety-provoking mechanical-looking stuff (see
Être avec or
Être cible nous monde) with a "broken" three dimensional feel (in the same way that cubism seems like pieces of broken planes.) That I know of he didn't do a lot of landscape-inspired pieces and this one is nice. The flowers and the desert rocks are properly prominent and the sun actually feels unpleasantly bright and hot. (Cross posted to
The Late Enlightenment.
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